Subhaga Crystal Bacon | POETRY | "10:00:  ----------------------- Invocation ------- / Altar / Intention / 10:40: Ingest ------ / Walk..."

Liz Kerin | NONFICTION | "Hey there, c’mon in. / My name is Bailey, and I’ve been so looking forward to our appointment today. I’m glad you took time out of your incredibly busy, stressful day to unwind with me and let me give your beautiful hair the attention it deserves..."

Sarah Mangold | POETRY | "Spirit Psychic Living | Dead..."

Michelle Phương Hồ | AWARD FOR HYBRID WRITING | "To be recognized in this country, I became a defendant. I was handed an orange bucket..."

Fields Delmar | NONFICTION | "As a family physician and obstetrician, I tend to people and their families. My clinic day usually includes.."

Stephanie Macias | GRASP | "SHE WEARS A red sock to keep it quiet..."

Sasha Hom | AWARD FOR HYBRID WRITING | "No . . . We don’t know . . . These meetings? . . . Yes, I know . . . Every Wednesday . . ."

Marianne Chan | ESSAY | "IMMIGRATION STORIES ARE origin stories and, like many origin stories, ours begins with a fall..."

Despy Boutris | POETRY | "I’m not asking for much. Only everything: to sprawl in every open field, to never age, to always be the most..."

Ariel Chu | APERTURE | "The day we meet, we bond over our broken hearts. Walking around the man-made marsh..."

Fullamusu Bangura | NONFICTION | "ON MY LAST trip home to DC, I sorted through what was left of my childhood belongings..."

Julie Moon | DIARY | "MY NAME IS Cleopatra. If someone orders me killed, they might do it for the soil..."

Diannely Antigua | POETRY | "before I killed the person I couldn’t love. I still see her shadow."

Jessica Klimesh | FICTION | "THE CONVERSATION is simple at first. The basic transaction of transaction."

Granville Carroll | ART | "Who am I but a mask the world places upon me?"

Joni Tevas | NONFICTION | "CRAWLED SLOWLY DOWN the rows, picking stones. Some said the devil sowed them every winter, a thing she knew..."

Jason Bulluck | ENGAGE | "Norman invokes the fungal in her read of Black fungibility. And for Norman, the near homonym is critical."

Yanique Norman | ART | "An attempt to flesh out Hemings’s emotional self by presenting a deeply complicated woman."