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"Intimacies in Borrowed Light" by Darius Stewart
Hannah Bonner | RE:VIEW | "These poems pulse with ardor, expectation, and the possibility of touch’s physical and affective potential."
"A Bell Curve is a Pregnant Straight Line" by Vi Khi Nao
Hannah Bonner | RE:VIEW | "organizes itself in four sections, Shorts, Shirts, Skorts, and Skirts, where the body becomes cloth or flame..."
"Fieldglass" by Catherine Pond
Hannah Bonner | RE:VIEW | "I read Catherine Pond’s Fieldglass three months after my last heartbreak."
"Fish Carcass" by Vi Khi Nao
Hannah Bonner | RE:VIEW | "Vi Khi Nao’s sixteenth book Fish Carcass (2022) is a poetic Petri dish of lived experience."
"Refusenik" by Lynn Melnick
Hannah Bonner | RE:VIEW | "I don’t remember the first touch or the first comment when I was a girl that conjured me as a woman."
Three Poems by Diannely Antigua
Diannely Antigua | POETRY | "before I killed the person I couldn’t love. I still see her shadow."
LET THE DOG SEE THE RABBIT
Jessica Klimesh | FICTION | "THE CONVERSATION is simple at first. The basic transaction of transaction."
"Slim Confessions" by Sarah Minor
Hannah Bonner | RE:VIEW | "Here’s a slim confession: I have asked the last two men I loved to spit in my mouth, and neither one obliged."
Because the Sun Hath Looked Upon Me
Granville Carroll | ART | "Who am I but a mask the world places upon me?"
Suffer the Lilies
Joni Tevas | NONFICTION | "CRAWLED SLOWLY DOWN the rows, picking stones. Some said the devil sowed them every winter, a thing she knew..."
Self as Substrate
Jason Bulluck | ENGAGE | "Norman invokes the fungal in her read of Black fungibility. And for Norman, the near homonym is critical."
Impure Whiteness of Noon & I'm Tired of Talking About Myself
Yanique Norman | ART | "An attempt to flesh out Hemings’s emotional self by presenting a deeply complicated woman."
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