"Opium and Ambergris" by Colin Dekeersgieter

"I find enjambment most compelling when it’s a means to shock, and the subversion or undercutting you mention. I mean shock as a kind of..."

Re:Views

"TRANZ" by Spencer Williams

"The mother figure is, at once, my literal birth mother, my adoptive mother, and a nebulous origin point..."

Re:Views

Cynthia Cruz

"The space between waking and dreaming presents a brief opening of possibility and is the same space we enter and move through in..."

Re:Views

"Intimacies, Received" by Taneum Bambrick

"parses the language and acts of love and sex, trauma and violence, with the stark, plainspoken language of a desert, seared..."

Re:Views

"Intimacies in Borrowed Light" by Darius Stewart

Hannah Bonner | RE:VIEW | "These poems pulse with ardor, expectation, and the possibility of touch’s physical and affective potential."

Re:Views

"A Bell Curve is a Pregnant Straight Line" by Vi Khi Nao

Hannah Bonner | RE:VIEW | "organizes itself in four sections, Shorts, Shirts, Skorts, and Skirts, where the body becomes cloth or flame..."

Re:Views

"Fieldglass" by Catherine Pond

Hannah Bonner | RE:VIEW | "I read Catherine Pond’s Fieldglass three months after my last heartbreak."

Re:Views

"Fish Carcass" by Vi Khi Nao

Hannah Bonner | RE:VIEW | "Vi Khi Nao’s sixteenth book Fish Carcass (2022) is a poetic Petri dish of lived experience."

Re:Views

"Refusenik" by Lynn Melnick

Hannah Bonner | RE:VIEW | "I don’t remember the first touch or the first comment when I was a girl that conjured me as a woman."

Re:Views

"Slim Confessions" by Sarah Minor

Hannah Bonner | RE:VIEW | "Here’s a slim confession: I have asked the last two men I loved to spit in my mouth, and neither one obliged."

Re:Views

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